About

Rich
       McCoy

 

Rich McCoy is a mythopoetic sculptor, arts broadcaster, and former digital creative director whose work explores initiation, memory, and the symbolic cost of modern life. Born in the UK and raised in Botswana and South Africa, McCoy’s early experience of cultural displacement, animist worldview, and ancestral Celtic heritage (Cornish, Irish, Welsh, and Scottish) formed the bedrock of a lifelong investigation into the psychic and spiritual thresholds that shape identity.

Originally trained in fine art (BFA Sculpture, University of Gloucestershire), McCoy’s creative path diverged into the emerging digital world of the late 1990s and early 2000s. With a postgraduate degree in business management, he became a pioneer in digital product design and UX, contributing to the early development of accessible online banking and news media, and eventually leading major projects at global agencies and at New Zealand’s Trade Me. Despite a successful commercial career, McCoy maintained a parallel practice in painting, print, sculpture, and experimental digital interfaces quietly weaving a thread through the unconscious that would re-emerge as his true vocation.

That thread is Son of Fire, a body of contemporary reliquaries and symbolic sculptural works created after half stepping away from the digital product industry. Now living off-grid in rural Aotearoa, McCoy creates deeply personal, psychologically resonant assemblages using materials such as bone, ash, tar, gold, discarded industrial remnants, and found objects. These works draw heavily on Jungian archetypes, myth, alchemy, and personal initiation, particularly a powerful early-life encounter with Cernunnos, which shaped his mythic worldview.

Older works in this portfolio remain available, offering collectors an entry point into McCoy’s evolving symbolic language. These earlier pieces, though more formally diverse, carry the same undercurrents of spiritual inquiry and psychic unrest that define the current sculptural work, and offer rare opportunities to invest in a practice that has grown from commercial fluency into symbolic fluency.

In addition to his studio work, McCoy is the creator and host of HeARTh Tales, a radio show and podcast dedicated to meaningful conversations with artists, makers, and culture-bearers in Aotearoa/New Zealand. He is also a board member of the Motueka Arts Council, where he advocates for community-rooted, interdisciplinary art practice.

 
Commissions, Sales, and Licensing Opportunities
 
Rich McCoy Artist

In addition to my work as an artist, I bring nearly three decades of experience as a professional designer and creative director. Whether you're seeking a distinctive logo, a meaningful mural, or creative direction for a larger project, I offer a collaborative process that balances conceptual depth with design precision. Let's connect and begin the conversation.

If you’re drawn to the symbolic and sculptural language of my work and would like to commission a piece, whether for a space, a story, or a brand I offer creative services that merge myth-informed aesthetics with contemporary craft. From ritual inspired artworks and bespoke installations to evocative visuals for record covers, wine labels, or other objects of cultural expression, I work closely with individuals and organisations to bring poetic ideas into form.

Alongside my studio practice, I offer select support for creative projects in digital product design, visual identity systems, and integrated marketing campaigns—particularly where narrative depth, symbolic cohesion, and emotional resonance are key.

That said, if what you’re after is a portrait of a loved one, a cultural icon, or even the neighbour’s dog, I’m open to that too. Not every commission needs to burn with archetypal fire.

Many original artworks are available for purchase, licensing, or rental. If you're interested in commissioning a piece, collaborating on a project, or acquiring work from the current collection, I welcome your enquiry.

 
Podcasts & Publications
 

Podcast / 21 September 2021

Brave UX - The Space In Between

brave UX

Rich McCoy unpacks some formative experiences from the Kalahari Desert, how we can conquer our creative fears, and why designing lean creates value faster. Highlights include: How has growing up in the Kalahari Desert shaped him? What does it mean to “get primal” with design? How do we get over our fear of showing our work? What are some clues that product teams are out of alignment? How has Dyslexia influenced his creative practice?

Podcast / 28 August 2021

Nodes of Design

nodes of design

In this episode, Rich shared great insights on lean design practices and their frameworks. Rich then spoke on the different ways of scaling lean practices across organizations without compromising the quality of deliverables and how lean practices help rapid innovation and find the right product-market fit.

Magazine / March 2013

In Media 4 Talent

In Media 4 Talent

The esteemed television network hailing from the UK, Channel 4, article featured in their creative talent magazine. The piece focuses on the pioneering efforts of creatives with dyslexia, including myself, who are making waves in the field of creative arts. Through their awe-inspiring and innovative projects, these individuals are elevating the conversation surrounding disabilities, advocating for greater awareness and acceptance.

Magazine / March 2013

New Design

New Design

A piece featuring my home office in the Bay Of Plenty, New Zealand, and exploring the workspaces and environments of creatives. It aims to delve into the unique sources of inspiration that drive our work and showcase the diversity of creative expression that emerges from these spaces.

 
 

Book / 18 May 2012

The Designer's Web Handbook

The Designer's Web Handbook

The Designer's Web Handbook helps any designer understand the full life cycle of a digital product: idea, design, production and maintenance. The best web designers create not only beautiful sites but also sites that function well-for both client and end user.

Book / 26 September 2008

The Web Designer's Idea Book

Web Designer's Idea Book

The Web Designer's Idea Book includes more than 700 websites arranged thematically, so you can find inspiration for layout, color, style and more. Author Patrick McNeil has cataloged more than 5,000 sites on his website, and showcased in this book are the very best examples.

Book / 30 January 2003

Idea Revolution

Idea Revolution

Through activities, exercises and anecdotes this overflowing book gives creativity-tapped graphic designers several methods of generating ideas and reconnecting to their creative energy. This book targets the major obstacles in the creative process by guiding designers through exercises that jolt themselves, their colleagues, and their clients back to life.

Magazine / May 2001

PC FORMAT

PC FORMAT

This website was once an experimental platform where I had the opportunity to showcase my creative vision through playful digital art and innovative interfaces. I'm proud to have learned that the site was even used in the curriculum of Greenwich University London's Digital Design courses. If you're interested in discussing my experience with experimental design and digital art, please don't hesitate to get in touch.

 
13 Tales of Misadventure & Stupidity
1 When I was but a wee lad of 16, I shared an exhibition with none other than the great artist David Hockney. The man didn't have the slightest clue who I was, but I still consider it a feather in my cap.
 
2 I was kidnapped just before my 3rd birthday. The reason? I'm told it was for use in black magic rituals. I've never wanted to know any more details on the matter. Some things are best left unknown.
 
3Phil Rudd, the wild drummer of AC/DC, once approached me with a peculiar request. He wanted me to paint flames on the side of his helicopter as part of a branding project I was working on. Sensing trouble, I politely declined, and I stand by my decision to this day.
4Armed with nothing but a cucumber sandwich and a hangover that would have made Hunter S. Thompson himself giggle, I found myself filming a documentary with Ralph Steadman on the day after my 21st birthday. I don't think I've ever fully recovered from that experience. The lines between reality and madness blurred, and I realized that sometimes, the only way to survive is to let go and embrace the chaos.
 
5The benches of London, Liverpool, Manchester, Birmingham, and Cardiff have all served as my bed at one time or another. Homelessness is no picnic, let me tell you. Encores at gigs are great, but they're rarely worth missing the last train home for. And even the best of friends can become unbearable when you're suffering from sleep deprivation.
 
6Picture this: I'm sitting on the beach of my Waiheke home, watching the sun sink below the horizon, when suddenly my phone rings. On the other end is a famous Hollywood producer, calling me out of the blue about a secret project he's working on. I can't say much more about it, but let's just say it was a conversation I won't soon forget.
7I've seen my fair share of danger, but nothing quite compares to the looming threat of a pineapple. I can't say I trust those prickly fruits, and my allergy to them only heightens my suspicion. But who am I to judge? Life is full of surprises, and death by pineapple would certainly be an unexpected twist.
 
8In the dusty mining town of Botswana, I faced my greatest fear: the imminent loss of my younger brother to a pack of hungry hyenas. But I wasn't about to let those beasts have their way. Armed with nothing but a sturdy stick and sheer determination, I charged headlong into the fray, and emerged victorious. It was a close call, but I emerged from that dusty plain a changed man.
 
9I've always been drawn to the wild and the unexpected, but in the abandoned halls of a women's mental hospital in the UK, I found myself in a world beyond my wildest imaginings. The artists who had taken up residence there were unlike any I had ever encountered, and their performance art left me reeling. As the night wore on and the performance reached its fever pitch, I realized that this was not the kind of community I had been prepared for. And so I fled, chasing the distant lights of the train station across the windswept peaks.
10I've always been drawn to the wild and the unexpected, but in the abandoned halls of a women's mental hospital in the UK, I found myself in a world beyond my wildest imaginings. The artists who had taken up residence there were unlike any I had ever encountered, and their performance art left me reeling. As the night wore on and the performance reached its fever pitch, I realized that this was not the kind of community I had been prepared for. And so I fled, chasing the distant lights of the train station across the windswept peaks.
 
11That blasted black widow spider nearly had me lose my right arm, but I ain't one to hold grudges. However, let's just say that we aren't exactly on speaking terms anymore.
 
12I owe my existence to a donkey with a bad sense of balance and a bullet fired by a Russian soldier in the Khyber Pass. It's a strange thing, really, to be alive because of a combination of such unlikely events. But then again, what is life but a series of unpredictable twists and turns?
13I've got a strange affinity for the number 13, call it an almost obsessive-compulsive disorder if you will. It just seems to follow me around wherever I go.